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Monday, October 18, 2010
How Do I Let My Eyebrows Grow In
ballet director Jochen Ulrich to Leo Tolstoy's great novel of adultery created Anna Karenina
a dance of emotions and events. to stunning music by Sergei Rachmaninoff, he connects the threads of fate of the individual characters with each other. Gripping, passionate and virtuosic in the extreme.
Franz Zamazal, OÖN
ballet on the stage of world literature
particularly successful, the key points of the triangle:: October in the Great House, the title character (Anna ŠTĚRBOVÁ) shows intense expression of their inner turmoil. Martin Dvorak embodies her husband Alexei, a senior official, with measured movements, and a stern expression. The beloved and officer Vronsky (Ziga Jereb) is the polar opposite. The whole ensemble impressed with artistic agility, strength, and acting. The story merges with the structure and the sound of ballads filled music of Sergei Rachmaninoff. The statement of the ballet reveals itself in the Symphony No. 2 on a lyrical level, without going while bursts of joy and passionate interest in the road. The Symphony No. 3 achieved this claim even more. The Bruckner Orchestra under Ingo Ingensand has these functions effectively and put "speaking". It was positioned advantageously on the back of the stage in a full orchestra.
an important role The success of the production is played by the optical elements of the scene, the beautiful colorful costumes in the style of his time (Marie-Therese Cramer), the simple timeless scenery (Alexandra Pitz) and the targeted use of light (Johann Hofbauer).
Georgina Szeless, New People's Journal 
"Anna Karenina" at the State Theatre: Jochen Ulrich's magnificent ballet creation by Leo Tolstoy and Rachmaninov music. The first season premiere of the ballet at the State Theatre on Saturday evening brought world-class dance theater. Ballet director Jochen Ulrich is doing all right, its excellent ensemble always emphasize with full-length productions. His showed exceptional performance here in a danced novel whose characters and characters in their emotions seemed so poignant, as it would just leap out of the book. 
(...) This is exactly what was very precise in the synchronization between each movement of the dancers and the back of the stage playing music, Bruckner Orchestra under the baton of conductor Ingo reveling in romance Ingensand.
(...) This is exactly what was very precise in the synchronization between each movement of the dancers and the back of the stage playing music, Bruckner Orchestra under the baton of conductor Ingo reveling in romance Ingensand. wanted to take the three-hour premiere of applause almost no end ...
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