Spring Awakening!
as amended by Nuran David Calis by Frank Wedekind, celebrated on 2 October premiere in the intimate theater.
as amended by Nuran David Calis by Frank Wedekind, celebrated on 2 October premiere in the intimate theater.
Here are the first reviews:
Upper crown / Elizabeth Rathenböck Overall, director Holger Schober with "Spring Awakening" managed by Wedekind / Calis a consistent, smart and engaging production. In the Linz Kammerspiele so good theater for young people is offered! On Saturday the Austrian premiere was given in the Linz Kammerspiele heavy applause. Holger Schober stages the story in a swimming pool (set: Christian Elgner Adige). Schober is a wonderful ensemble available. Above all impressed Ralf Wegner (Moritz), who transforms himself from rapper to Schüchti. Very convincing: Elisabeth Hutter as Martha, who is beaten at home, but holds on to dreams.
New People's Journal / Philipp Wagenhofer
Schober's staging, which is never preachy, find a viable way between the pubertal pageantry, the young people and their uncertainties, to mediate between aggression and tender feelings, the trials, tribulations and dramas.
The actors are all convincing, even in the vocals that are quite contrary to the party music all over inside make (text by Schober, music by Sue-Alice Okukubo), ... A wonderful duet of Wawrik Dulisch and get heard. And it is as a shadow play staged act quite a haunting moment.
The actors are all convincing, even in the vocals that are quite contrary to the party music all over inside make (text by Schober, music by Sue-Alice Okukubo), ... A wonderful duet of Wawrik Dulisch and get heard. And it is as a shadow play staged act quite a haunting moment.
was in the intimate theater of the Linz State Theatre 's on Saturday a lot of applause for the new version of Spring Awakening. Director Holger Schober, the modern version of tragedy (Text: Nuran David Calis) staged noisy and almost trashy. 
OÖN / Peter Grubmüller "Spring Awakening" is a beautiful word. One thinks of sprouting buds to inject juices. It is the time of the reliable wonder of nature. In humans, this means puberty. to shake Suddenly teenagers the difference between love, sex and porn just like that, the consequences are frustration and conflict - and sometimes disaster. That could all read in school at Wedekind.
In Nuran David Calis' version, the yard, the outgoing u \\ \\: Director Holger Schober staged in beautiful images, not just dust off the Reclam-Heft is blown, but (first performed 1906) of the timeless core of the Wedekind-substance excavated with great care. The magnificent scene of Christian Elgner Adige is a swimming pool, here comes the young Horde, here to meet the handsome Melchior (a splendid debut by Bastian Dulisch Linz), the bold Wendy (Katherine Wawrik shines facets) and the brooding soft Moritz (terrific: Ralf Wegner). They rely on its problems Party masks, but the big questions can not be celebrated in the world.
How many centuries ago, young people stumble in their ruffled feelings. The home battered Martha (almost painfully well: Elisabeth Hutter) takes on her cell phone, what they remember and forget what she wants. Ilse (almost grown up: Catherine Halus) sleeps with all the boys to have to feel for anything (Melchior, "Ilse is like the McDonald's was on the pigeon market, since everyone already in there").
Wendla tears from the apron strings of her mother (Catherine Vötter) going on, yearning for bad experiences before they make none, and is used by Melchior pregnant. Moritz has managed the class, but end his father and teachers, to advance to not let him. Moritz sees no other option but to kill himself. Schober added and especially important is the haunting father-monologue (the touching Joachim Rathke), who pours the helplessness of parents in words.
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