Premiere: Nathan the Wise
The digital love story in the stage version of Ulrike Zemmer and Daniel Glattauer celebrated on 23.09.2010 premiere iron hand.
Here are the first reviews:
Upper crown, jasmine Gaderer
could be fascinated by some teasing and some anschmachtende pair.
Catherine and Peter Hofmann as Emmi Pertusini as Leo walked in the direction of Harald Brueckner at all in their roles, and it was a joy, the two watching their cynical, taunting and sometimes quite bad language games.
the beginning of their first meeting they were on the stage separated. But the closer they got, the more often they broke through that barrier, interact with each other - although siesich know only virtually - an improvement over the original novel. The melodramatic dialogues mastered the duo gripping.
New People's Journal, Andreas Hutter:
is given that Catherine Hofmann as Emma and Peter Pertusini as Leo their e-mail flirtation, despite the visually interesting without 90-minute text flood, skilful and entertaining take on the ramp . Hofmann, spirited and lively, playing in the little black dress with the satisfaction of the fire. Pertusini is a matter-of supercooled, palishness residents of the university's ivory tower intellectuals in the black outfit (equipment: Isabella Reder). The small variation possibilities offered by the small iron hand-stage, has used director Harald Brueckner, can once in the audience, sometimes playing on the balcony. to put his actors on a real computer, came to him not to mind. Instead, he lets them into the microphone at times, but always talk past each other, so that the PCs do not even have to see. Much time for spiritual mood and lighting and sound contribute to: Bernhard Fleischmann, the buzzing and throbbing, breathing and sighing of the virtual World in a pleasantly understated, romantic, minimalist soundtrack taken.
Isabella Reder has made a fine installation in the small stage space, like a huge sheet of paper that is being spewed from the printer. It can be alphabet soup project, which also ends in a beautiful final image. The music of Bernhard Fleischmann creates associations in the brain: from tapping into the keyboard, of rain, of (northern) wind, and Emmis heartbeat is heard. A two-person dialogue piece with a high emotional value - even if not with a happy ending, but somehow with a happy ending.
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