Tuesday, September 28, 2010

New York Driver's License Generator

and more books

So, are today Created a few books! Have previously had the boiling or an idea for a new book, but this in the coming days more, because tonight I'm here, unfortunately came to nothing :-( Well, but these books are now ready






here and sometimes a little insight into the inner life of a phone book. One page I'm involved with, for the little people, of which you only have one phone number. Behind the pages then follow the normal address records.

Disconnect Horn On Honda Accord

and books again

So your love! I was once again busy! The orders and gifts have been here frequently and so are on Sunday and yesterday they were sooooo books. Actually two more, but I can show you the first day, for you I've just brought to the post :-)

This is a parent Duden for my colleague who has just become a father.
him I can still show already, because he does not see on my blog :-)


A passwords book


A phone book






And, you like them? That has to also start producing slow times for the bazaars .... * Cough *

Monday, September 27, 2010

Blue Package Gummy Bears

My Schwabach works

So, I've shown you yet not at all what I did in Schwabach :-)

First, this Dagger Ring No. 6 from the poetry beads


and on the other this bracelet, because I did not even turn :-)

and I also use Swarovski Bicone not :-)

Suzy Shier Employee Discount

Premiere: Nathan the Wise


The digital love story in the stage version of Ulrike Zemmer and Daniel Glattauer celebrated on 23.09.2010 premiere iron hand.

Here are the first reviews:


Upper crown, jasmine Gaderer


could be fascinated by some teasing and some anschmachtende pair.
Catherine and Peter Hofmann as Emmi Pertusini as Leo walked in the direction of Harald Brueckner at all in their roles, and it was a joy, the two watching their cynical, taunting and sometimes quite bad language games.
the beginning of their first meeting they were on the stage separated. But the closer they got, the more often they broke through that barrier, interact with each other - although siesich know only virtually - an improvement over the original novel. The melodramatic dialogues mastered the duo gripping.

New People's Journal, Andreas Hutter:

is given that Catherine Hofmann as Emma and Peter Pertusini as Leo their e-mail flirtation, despite the visually interesting without 90-minute text flood, skilful and entertaining take on the ramp . Hofmann, spirited and lively, playing in the little black dress with the satisfaction of the fire. Pertusini is a matter-of supercooled, palishness residents of the university's ivory tower intellectuals in the black outfit (equipment: Isabella Reder). The small variation possibilities offered by the small iron hand-stage, has used director Harald Brueckner, can once in the audience, sometimes playing on the balcony. to put his actors on a real computer, came to him not to mind. Instead, he lets them into the microphone at times, but always talk past each other, so that the PCs do not even have to see. Much time for spiritual mood and lighting and sound contribute to: Bernhard Fleischmann, the buzzing and throbbing, breathing and sighing of the virtual World in a pleasantly understated, romantic, minimalist soundtrack taken. Isabella Reder has made a fine installation in the small stage space, like a huge sheet of paper that is being spewed from the printer. It can be alphabet soup project, which also ends in a beautiful final image. The music of Bernhard Fleischmann creates associations in the brain: from tapping into the keyboard, of rain, of (northern) wind, and Emmis heartbeat is heard. A two-person dialogue piece with a high emotional value - even if not with a happy ending, but somehow with a happy ending.


piece of info Dates and



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Premiere: Gut gegen Nordwind





Richard Wagner's opera Die Meistersinger von Nürnberg
celebrated the start of the season premiere in the Big House.

Here are the first reviews:

Kronen Zeitung OÖ / Baldwin Sulzer

the Linz Bruckner Orchestra impressed with superior sound quality and crystal clear depth of field. The rapid production was acclaimed loudly and at length.

particularly advantageous scored: Bjorn Waag (Beckmesser), Michael Ende (Stolzing), Matthew Schmid Lechner (David); Katrin Adel (Eva), Karen Robertson (Magdalena), Dominik Nekel (Pogner); Seho Chang (Kothner).

gave the whole process is to experience amazing and amusing. Also Bengt Gomer (stage), Inge Medert (costumes) and Darie Cardyn (choreographer) spiced the piece. was
The new People's Journal / Georg Höfer
Above-average performance is among the soloists: Michael Ende (Stolzing) has just the right youthful heroic tenor for this difficult role. Bravo! Bjørn Waag is indeed a type basis do not sing the uncharmante pedantic carping, however, and played excellent. The latter also applies to "Pogner" Dominik Nekel. Opaque precise role of Matthew Schmidlechner as saucy David. Katrin Adel (Eve) has a very nice person soprano timbre. She was convincing, especially in the second part. Karen Robertson was very good as a concerned educator.
Salzburger Nachrichten / Karl Harb
dares After 28 years, the Linz State Theatre back in Wagner's work - and win by a clever interpretation. So, in keeping with Wagner: Creates new, children - but do not forget the traditions. Tambosis trick is reasonable and prudent, in part because he does not edges away from the discussion. This leaves it rather essentially along the perfectly balanced musical (conversation) comedy than the "Meistersinger" is heard often enough. In Linz, this is achieved mainly through a series of excellent, exemplary word clearly singers, better singing actor. Matthew Schmid as David Lechner, Michael Ende as clever with his home-sustaining resources Stolzing, Bjorn Waag, a discriminating Beckmesser, Dominik Nekel as Pogner and Seho Chang as Kothner are outstanding. The ladies (Katrin Adel as Eva, Karen Robertson as Magdalena) find it much more difficult. Excellent vocally and theatrically as fabulously choreographed move, the chorus of George Leopold.

Dennis Russell Davies conducts the long evening with his own Precision, fans in the intimate details of many spoken to, provides well-listened dynamics. The Bruckner Orchestra plays (...) formidable. And makes a promise: For the opening of the new house this team Wagner's "Ring" will rehearse - a feat for a country's stage.

piece of info and dates

Tuesday, September 21, 2010

Renew License Ontario

Premiere: Die Meistersinger von Nürnberg



Tom Waits' and Robert Wilson's opera adaptation of Georg Büchner's bleak drama fragment Woyzeck
celebrated on 18 September at the State Theatre Linz's Austrian premiere.

Here are the first Review:

Kronen Zeitung OÖ
Robert Wilson, Tom Waits and Kathleen Brennan created from Georg Büchner's drama fragment "Woyzeck" is a revue-like version with modern ballads. To see a successful premiere in Chamber play in the Linz! At the start of the season
Linz State Theatre is now ranked the Austrian premiere. (...) A first public success! Director Ingo Shine presented an entertaining, but multi-layered drama on the stage. He developed character studies that flirt with an unreal perception (Woyzeck). The captain, played brilliantly by Thomas Bammer harassed, Woyzeck from a rolling cart. Klaus Keller is a wonderful Woyzeck.

OÖN

Yes, and the music: Tom Waits says in small songs by great catastrophes of the lost on the margins of society. The band played accordion Nebosja Krulanovic this sheet music shrill, weird, beautiful - and sometimes loud. Whether rocking or sentimental, the six men in all measures at home and in any rhythm at home: just great! The play team sings and interprets this ballad-like songs, it's a true joy. Even if the English lyrics are not easy to understand, they do not necessarily reflect moods. Tom Waits himself said: "I do not even mean what some songs." Well ... The stage of Brandt Stefan Mayr is a large climbing frame, which allows input and vistas and through the use of the revolving stage also allows for quick change of location. Then the horseman draped Woyzeck-head projection for the madness. Klaus Kohler impressed as Woyzeck with theatrical intensity - and great condition. New People's Journal
exceptional (...) tender insinuating music, which is marked by melancholy and aggression, short-tempered, music that moves in a swirl of feelings, Bar-Jazz, blues, tunes such as popular songs, ballads. empathy has Nebojsa Krulanovic attempt it with the accompaniment of his troupe. As acting substation of Woyzeck by Klaus Kohler is fascinating. Marie, who then succumbs to the advances of the drum major (Georg Bonn) and thus Woyzek murderous hurts is, in its range of naive and cunning at Barbara Novotny just right.
The default The furious game of wacky employer Woyzecks by Bammer and Zeidler that alternates between madness and slapstick, provides a merciless interpretation of the insanity which is destroying Woyzeck. Overall, a, (...), stimulating production.

piece of info and dates

Monday, September 20, 2010

Blogs About Lucasi Cues

Woyzeck - Austrian premiere





Lessing's Nathan the Wise
proves especially in these days of virulent date: threatening to burn the Koran, Thilo Sarazzin, anti-minaret games ... (To name just a few examples). More than enough reasons to play about tolerance again bring to the stage of the Linz State Theatre (most recently in 1984 at the State Theatre Linz).
On Sat, 25 September 2010 celebrates the education piece, directed by Peter Wittenberg (UA from Franzobel
Moser, Tabori's Mein Kampf

both in the Vienna Josefstadt, most recently at the State Theatre in Linz with Heiner Müller's Quartet and Grillparzer
of the sea and waves of love )
Premiere
the Big House.

was used as the working title of the management team at Wittenberg Hotel Jerusalem. " This is also reflected in Music (Jacob Suske) and space (Florian Parbs lines). Wittenberg describes the music as a primer. "It is important to the threat, act the insecure ground on which the figures to show," said the director. The stage playwright Franz Huber describes as "a kind of destroyed hotel corridor. And points to parallels with Lessing's Minna von Barnhelm that actually happening over in a hotel. The strength of the room is the metaphorical Previous work on the figures. A hotel was a "non-place" where nobody was at home and also the "inner representing the homelessness figures." for 2 ¾ hours (including intermission)
piece of information and Temine

Sunday, September 19, 2010

How To Connect Floor Monitor Speaker To Mixer

beads meeting Schwabach / Nuremberg

on Friday morning at 6:45 began my journey. 650 km to Schwabach (Nuremberg) by car to Harburg to the station, then take the train to Hanover was there I made three nice pearls in the reception and we went by car to Schanbach. The first thing we saw was the Hammergoile Bilng part of the love Zuzzl. I had to hold the same of course :-)

Arrived briefly brought the stuff to `s room and grab the beads and off to the shopping paradise :-)



On Friday evening, then dine in delicious Schwabacher the inner city in Constantinople (super delicious -. but I'm still tired)




in `s Hotel beads still a little bit and talk shop :-)



have the actual beads meeting on Saturday, I no pictures because my clippers was warm and dry in the room. But at night I do it again then you have to put down and took some pictures :-)









The last breakfast :-)



It was a super great meeting and next year I would like to return it. Everything else I've already said this :-)

Knutschi