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drama premiere really old, so 45



The play old, 45 the British author Tamsin Oglesby celebrated on 19 February 2011 in Linz Kammerspiele German language premiere.

What makes a country where a third of its population is over 65 years old? How do family members deal with the stress when their loved ones break down mentally or physically? In really old, so 45 a company is exposed, the competition is in compassion to pragmatism.

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The estimated critics were able to asses this time with hardly any superlatives. Really well wait, let's say

Andreas Hutter ( New People's Journal ) notes for instance that the role of the demented grandmother Lyn "a signature role for the outstanding Silvia Glogner" was. "Especially," as Glogner and Barbara Novotny anschnurren their virtuosity embodied mechanical Streichelpflegerin each other like cats, is delicious and touching. " For the "author of arriving," he was happy because she could "bewiohnen a witty performance on Pusl of time". Strong Applause!

Silvia Nagl ( Upper Austrian News ) calls really old, so 45 "an eloquent piece" to Christian Witt's direction she remembers that he was "strong characters" form. For this he would be "a wonderful Ensemble available "judge Silvia Nagl. Their conclusion: "This is theater with timely, clever, funny and written under the skin as possible, well played and directed with pinpoint accuracy. Recommended two theater hours! "

Milli Hornegger (Kronen Zeitung OÖ ) praises the" jet-black British humor, "the theme of never" give ridiculous price. " He also sprinkled the director and the actors flowers, "director Christian Wittmann leads a fantastic ensemble, led by a charismatic Silvia Glogner as Lyn." "Quite unusually, the use of Barbara Novotny as a robot-sister Mimi"

Wolfgang dirt. ( The default ) raises Silvia Glogner out as "splendid," writes of "cleverly constructed characters," directorial "density" and a "strong ensemble."

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sidewalk of the future

If the theater leaves the stage Kosmos: In recent weeks, dominated a topic the cultural pages of local newspapers, and it led even the way to the front newspaper Categories: The sidewalk-splitting in a "snail trail" and a "fast lane" between passage and pigeon market. The one for the fast, agitated, dynamic, young man. The other for the slow, leisurely, old man. Starting point for the orange-marked concrete segregation called "sidewalk of the future" the play was really old, so 45 the British author Tamsin Oglesby, the celebrated in the Linz Kammerspiele German language premiere. It is the aging of the society deals with and addresses the resulting question "what do we do with all the same?" Black Humour in the best British tradition.

An irritation, provocation, the country wanted to Linz and Upper Austria, seniors' organizations with the action intended to raise awareness of the aging to create. And it worked. Pedestrians of all ages got involved in stimulating discussions with representatives of the associations and State Theatre staff. RTL even got wind of the Chose and had it not take to send a reporter with the camera team. Success across Line and the much-quoted "boards that mean the world".

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Opera premiere of La Cenerentola

Keck mice instead of pigeons. Gioachino Rossini's comic opera La Cenerentola , commonly known as the Cinderella, celebrated on Saturday, 5 February 2011 a brilliant debut in the main house of the country Linz. Adriana Altaras' Linz debut came to a dazzling highlight of this year's opera season. Sparkling wit, precise management of people, the surreal and fantastic-looking set design (Yashi Tabassomi), excursions into the world of Sigmund Freud and an ensemble in top form, tearing the first night audience not-support-ending waves of excitement through. Bravo! Brava! . A total success

Because even save the stern columnists of praise:

Baldwin Sulzer ( Upper crown ) let the cat out of the bag already in the introduction: "Bravi, bravissimi! Loud and popular success for Rossini's brilliant comedy opera ... "The new production is present in Prestoparlando spectacular virtuosity", the vocalists and orchestra abfordert extreme concentration on synchronous music processes, analyzes Sulzer. His conclusion: "Vocally high-class singers "and" a very loud praise of the incident tense staging by Adriana Altaras.

If the bingo is not "a comedic hit," the New People's Journal subtitled in his review. Paul Stepanek presented an "almost euphoric mood ', to the grand finale left" on stage and in the audience. "
The reasons he provides in Rossini's brilliant music "," presents a refreshing "of the Bruckner Orchestra Linz Marc Reibel. Furthermore, Adriana Altaras' "sophisticated direction with precise clock management of people," the "clever costume effects" and of course the ensemble. Especially "Outstanding Katerina Hebelkova, comedic and singing well on the way Martin Achrainer, convincing, despite a slight indisposition Jacques le Roux. Franz Binder let his comedic side of light, accompanied by excellent Gotho Gries Meier and Kathryn Handsaker. "

" huge applause ... in a staging point range, it brings Michael Wruss ( Upper news ) to the point. It supersedes the "sparkling, relaxes game" which was the "really was perfect." Also for the events in the orchestra pit by Wruss unctuous words and certified Marc Reibel the Bruckner Orchestra "with unbridled vitality" to lead. Unison with the other papers: "From the ensemble stood out radiantly Hebelkova Katerina. Just as "excellent" Jacques le Roux. The two evil sisters "were given by brilliant Gotho Gries Meier and Kathryn Handsaker.

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And the last sign of life

Huhu love you!

I'm still alive :-) Right now I'm pretty much in the knitting and Häkelwahn. Despite everything, I had to dig out again yesterday my paper. I was going to be a commissioned piece that I had to urgently get ready :-)

Our nephew celebrated in April for confirmation, and these invitations are created. The idea comes from the book Communion and Confirmation for girls from the top publishers. However, somewhat different. Unfortunately I had to take pictures with flash because the light was not that great. But I think you kan still see everything.


Wish you a great start to the week.

Lorac Blush In Plush Swatch

opera premiere Kaspar H.

cheering messages and hymns for Kaspar H.
the feature pages are excited by Baldwin Sulzer's latest opera Kaspar H. .
On Saturday, the 29th January 2011 was commissioned by the Chamber in the Linz Play premiered. acknowledged and worthy of a minute-long storm of applause-premiere audience. Read below the press as the opera work on the foundling Kaspar Hauser received.

Ernst Scherzer ( Kleine Zeitung ) sees in the chamber opera "a memorable evening," the "had made everyone highest requirements". Director André Turnheim He accuses "skillful management of people." "As the title hero Matthew Schmidlechner was celebrated: An excellent singer actor who let themselves be swayed by anything shiny played in his naivete. "

of a" musical event "says Norbert Trawöger (Neue Kronen Zeitung ) already in the headline. "First class", says further Trawöger, is "singer-Ensemble, Matthew, whether Schmidlechner in the title role, Elizabeth Breuer as Clara, Cheryl lights as charismatic Commissioner, Dominik Nekel as soul doctor or Daumer Hans-Günther Müller Leon. ... Dennis Russell Davies leads the musical event in stringent clarity. "

impressed by the vocal performances are shown Paul Stepanek ( New People's Journal ). "We extend the high tenor Matthew Schmid Lechner (Kaspar), the artistic soprano Cheryl Lichter (Commissioner), the clear baritone Dominic mist (thumb) and the bright fresh soprano Elisabeth Brewer (Clara) out." Even the Bruckner Orchestra conducted by Dennis Russell Davies scatters it flowers: "From the orchestra pit sounds Virtuoso, by Dennis Russell Davies controlled carefully to gripping. top executives of the Bruckner Orchestra together with the excellent accordionist Serkov their best"

Michael Wruss ( Upper Austrian News ) goes with colleagues d'accord, and writes "From the Director Bruckner Orchestra and implemented exemplary, the story of a monster was autistic (libretto: Vera Rathenböck) applauded vigorously. ". About the Director: "Director André Turnheim an exemplary implementation resulted in a clinically sterile room and coherent costumes (Florian Parbs and Barbara Aigner )..." On the musical setting:" The Bruckner Orchestra under Dennis Russell Davies gave a great performance. .. "Matthew
Schmidlechner brilliant acting as oppressed creature, inspired with a brilliantly sung" bathtub aria "... Just perfect. "- What is honored in the OÖN with 6 stars (!).
For
Lubisja Tosic ( The default ) the work lives of "great singer and a precise performance director." Elizabeth Breuer He accuses "sovereign coloratura work," in Matthew Schmidlechner convinced him his "grandiose acting and vocal performance." The director André's home can turn in his opinion "by the clear and the figures carefully shape work (...)"" the solo vocal moments of the opera to small islands of the living work of musical theater come. "

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